My self-taught “art school” employed three equally important methods of drawing: "eye to hand," where I drew what I saw before me; "brain to hand," where I drew something from conscious memory, like a vase with flowers; and "mind to hand," where I doodled, letting my subconscious guide my hand to scribble without any specific purpose. I've not separated these three ways out here. Instead, I've separated drawings into into six simpler categories.